| Plato's Cave | Social | Ethics and Personal Impact | Realism and Events | Subject and Worth | 
|---|---|---|---|---|
| 
					 What is Plato’s Cave? | 
					 How does the camera imply importance? | 
					 How does the degree of familiarity effect the response to photograph? | 
					 How did photography effect tourism? | 
					 Why might the ugly and grotesque be moving? | 
| 
					 How does the cave relate to photography? | 
					 How is photography political? | 
					 How is the camera predatory? | 
					 Picture taking is an event. Why? Discuss photographic intervention. | 
					 Why does Sontag consider the photograph memento mori? What do you think? | 
| 
					 Are photographs pieces of the world? | 
					 How does the photograph change over time? | 
					 Does Sontag think that photographic knowledge can be ethical or political? Why or why not? What do you think? | 
					 Sontag defines an event as something worth photographing. Why? How does the public decide what is an event? | 
					 Sontag claims that the photograph stimulates both mentally and physically. How? | 
| 
					 Does Sontag think a person could know the whole world though the photograph? Do you? | 
					 “I always thought of photography as a naughty thing to do-that was one of my favorite things about it, and when I first did I felt very perverse.” - Diane Arbus 	Discuss this quote. Why is it important? How is photography exploitative? | 
					 Sontag states that, “Through photographs, the world becomes a series of unrelated, freestanding particles” How does this effect the way we see the world? | 
					 Sontag states that photographs are more memorable than the moving image. Why? Do you agree? | |
| 
					 How does the photograph effect the right to observe? How does the photograph effect experience? | 
					  What is					 
					 What is the consequence of the acceptance of photography as truth? | 
					 Sontag claims that the photograph stimulates both mentally and physically. How? | ||