Four actualities made by the Lumiere Brothers.

A cinematographic technique in which foreground, middle ground and background in an image are simultaneously in sharp focus.

A film style highly informed by the Civil Rights Movement, The Vietnam War and Post WWII European Art Cinema.

The first Western film made.

Problems arose in these four areas of filmmaking due to the introduction of sound in cinema.

A film that sought to uncover the truth of Paris in 1961 by: 1. making interviews 2. group discussions before the camera and 3.having subjects watch the finished product.

A general name given to a kind of editing that stands out and calls attention to itself.

Two styles that emerged in the 60s due to the proliferation of 16 mm cameras and innovation of sound on tape, and which were inspired by Italian Neo-Realism's examination of the everyday.

The first feature film with sync sound.

This sound technology permits voices, dialogue and sound effects to be registered separately and mixed into one track in post production.

A Documentary by D.A. Pennebaker that covers Bob Dylan's 1965 concert tour in the United Kingdom.

A rule of continuity editing to avoid "jump cuts".

The movement influenced young American filmmakers to reject a manichean narrative and employ dynamic editing and long takes.

Three genres that emerged after the introduction of sound.

Legendary American filmmaker of the Classical Hollywood Era whose first feature broke conventions by use of jump cuts, self-reflexive methods and deep focus.

A film making references to Humphrey Bogart, Amadeus Mozart and Rembrandt.

A phenomenon named for the Soviet filmmaker who proved through experiment that the way images are juxtaposed provokes the desired effect in the spectator.

Based on hard-boiled crime stories this film style is famous for its use of chiaroscuro lighting, femme fatales and doomed romances.

The first color film with sync sound.

This is a segment of a Hollywood film that summarizes a topic or compresses a passage of time into brief and symbolic images.

A 1962 French science fiction feature by Chris Marker constructed almost entirely from still photos. It tells the story of a post-nuclear war experiment in time travel.

A phenomenon of the eye that allows us to perceive motion from a series of images in rapid succession at a minimum of 16 frames per second.

The era of American cinema that is basically a rehash of Classical Hollywood Cinema.

This date marks the generally accepted birthday of the moving pictures.

These are the Major Studios in the 1930s.