| Chord Progressions | Tangible Part Writing (include KEY, RN, & SD) | Cadences | Part-Writing | Figured Bass / Roman Numerals |
|---|---|---|---|---|
|
What is "I-IV-I"
Look at image #7; the correct roman numeral analysis, and chord-progression is this.
(Include chord quality and inversion) |
What is (show student answer).
Key: C Major
Two Chords Figured Bass: 7, R Bass Notes: G3, C3 |
What is a Perfect Authentic Cadence
A V-I progression, where the soprano has moved 7-1
|
What is Parallel Motion
When two voices move the same direction by intervals of similar size and quality.
|
What is a Pedal 6/4 Chord
A 6/4 chord in the following progression:
i-iv6/4-i where the bass line stays the same between the three chords. |
|
What is "I-IV6/4-I"
Look at image #6; the correct roman numeral analysis, and chord-progression is this.
(Include chord quality and inversion) |
What is (show student answer).
Key: B Minor
Three Chords Figured Bass: R, R, R(raised 3rd) Bass Notes: G3, E3, F#3 |
What is Deceptive Cadence
A V-vi progression, at the end of a phrase.
|
What is Crossed Voices (or Overlapping Voices)
When adjacent voices move to the next chord, but become intertwined, making the swap confusing to hear.
|
What is a Cadential 6/4 Chord
A 6/4 chord in the following progression:
ii7-i6/4-V7-i where the bass line moves 4, 5, 5, 1. |
|
What is "I-I-I-IV-I-IV-V-I"
Look at image #5; the correct roman numeral analysis, and chord-progression is this.
(Include chord quality and inversion) |
What is (show student answer).
Key: A Major
Three Chords Figured Bass: 6/4, 7, R Bass Notes: E3, E3, A2 |
What is a Phrygian Half Cadence
A iv6-V progression.
|
What is Oblique Motion.
When one voice stays the same, and another voice moves against it.
|
What is a Raised Third of the Chord
An accidental placed in the figured bass, typically above the dominant triad, indicates this.
|
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What is "I-V6/5-I"
Look at image #3; the correct roman numeral analysis, and chord-progression is this.
(Include chord quality and inversion) |
What is (show student answer).
Key: G-minor
Three Chords Figured Bass: R, 6/4, R Bass Notes: G3, G3, G3 |
What is a Perfect Authentic Cadence
Refer to Image #2. The cadence is this.
|
What is Similar Motion Procedure.
A progression at the end of the phrase is V-I, but the soprano has moved 2-1. One of two procedures can be used here, but specifically no voice moved greater than that of a third.
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What is a Raised Scale Degree. (or Raised Chord member).
A symbol like "+," or a "/" through a figured bass number, particularly in the minor mode, means this.
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What is "i-i4/2-VI-i6-vii(half)6/5-V-i"
Look at image #4; the correct roman numeral analysis, and chord-progression is this.
(Include chord quality and inversion) |
What is (show student answer).
Key of F-Minor
Three Chords Figured bass: 4+/2, 6, R Bass notes are: Bb3, Ab3, F3 |
What is the Half Cadence
Refer to Image #1, although the chord before the final chord is unknown; this cadence is defined by the last chord.
|
What is Triple the Root
Look at the labeled two chords (see Image #2); the procedure used here is this.
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What is "i6-i-V6; i-v6-V"
The following progression (see image #1); is best identified by this progression.
[Indicate quality of triad/seventh, and inversion] |
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